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Betsy Porter
Art and Iconography
Iconography Classes in San Francisco
Art and Iconography
Iconography Classes in San Francisco
Informal iconography classes for all levels take place about twice per month on Sunday
afternoons starting at 1:30 PM and running until 4:30 PM or later.
You can learn to paint a beautiful and sacred Byzantine-style icon! We work in traditional egg
tempera paint and gold leaf on a wooden board covered with white gesso. All materials are
natural. We make our own paint out of egg yolk, wine, and powdered pigments (mostly ground
minerals). Egg tempera is capable of exquisite detail and glowing colors which last for centuries.
The artistic method is quite different from others that you may have learned. Artistic experience
is helpful but by no means necessary.
Location: St. Gregory of Nyssa Episcopal Church, 500 DeHaro at Mariposa, San Francisco, CA
94107. Enter by the main door under the mosaic icon.
Visit www.saintgregorys.org
Time Required: Iconography is a careful, meditative art form. Each icon will require at least 40
hours - which may mean a year of class time, if you work only in class and not at home. You will
learn many artistic skills in the process; and your appreciation of historic art will increase as well.
Cost: Expect to spend $60 to $100 or more on materials for your first icon. A fee of $10 per
person at the first class includes handouts, pigments, egg tempera base, and incidental materials
for classroom use. Prepared wooden boards, gold leaf, and some other materials are available
at cost.
There is no charge for my teaching, but there is a requested donation of $10 per session to the
church for use of the space and the xerox machine.
Bring to first class:
afternoons starting at 1:30 PM and running until 4:30 PM or later.
You can learn to paint a beautiful and sacred Byzantine-style icon! We work in traditional egg
tempera paint and gold leaf on a wooden board covered with white gesso. All materials are
natural. We make our own paint out of egg yolk, wine, and powdered pigments (mostly ground
minerals). Egg tempera is capable of exquisite detail and glowing colors which last for centuries.
The artistic method is quite different from others that you may have learned. Artistic experience
is helpful but by no means necessary.
Location: St. Gregory of Nyssa Episcopal Church, 500 DeHaro at Mariposa, San Francisco, CA
94107. Enter by the main door under the mosaic icon.
Visit www.saintgregorys.org
Time Required: Iconography is a careful, meditative art form. Each icon will require at least 40
hours - which may mean a year of class time, if you work only in class and not at home. You will
learn many artistic skills in the process; and your appreciation of historic art will increase as well.
Cost: Expect to spend $60 to $100 or more on materials for your first icon. A fee of $10 per
person at the first class includes handouts, pigments, egg tempera base, and incidental materials
for classroom use. Prepared wooden boards, gold leaf, and some other materials are available
at cost.
There is no charge for my teaching, but there is a requested donation of $10 per session to the
church for use of the space and the xerox machine.
Bring to first class:
- Table-top lamp and extension cord - no clamp lamps.
- A hand towel on which to rest your icon.
- A tote bag in which to carry your icon.
- Watercolor palette and small round watercolor brushes, if you have them,
- Cash or check for your board and fees.
SCHEDULE OF
CLASSES,
SUMMER/FALL
2008
CLASSES,
SUMMER/FALL
2008
- June 29
- July 13
- July 20
- August 17
- August 24
- September 7
- September 21
- October 5
- October 26
- November 16
- November 30
- December 7
DIVINE RULES FOR THE ICON PAINTER (Traditional)
Never forget:
- Before starting work, make the sign of the Cross, pray in silence, and pardon your enemies.
- Work with care on every detail of your icon, as if you were working in front of the Lord Himself.
- During work, pray in order to strengthen yourself physically and spiritually; avoid all useless words, and keep
silence. - Pray in particular to the Saint whose face you are painting. Keep your mind from distractions, and the Saint will be
close to you. - When you choose a color, stretch out your hands interiorly to the Lord and ask His counsel.
- Do not be jealous of your neighbor's work; their success is your success too.
- When your icon is finished, thank God that His Mercy granted you the grace to paint the Holy Images.
- Have your icon blessed by putting it on the Holy Table (of your parish church). Be the first to pray before it,
before giving it to others.
Never forget:
- The joy of spreading icons throughout the world.
- The joy of the work of icon writing.
- The joy of giving the saint the possibility to shine through his/her icon.
- The joy of being in union with the Saint whose face you are revealing.
Lori Greenleaf painting; Cheryl Hendrickson with icon of St. Nicholas; Michael Lara mixing egg tempera paint
 |  |  |  |  |  |
Above: Sister Danielle Fung burnishes
red earth bole in preparation for gilding.
Above center: Later that afternoon, she has completed gilding and
has added a design in the gold leaf.
Above right: By the end of the following session, Danielle has
painted the base color or roskrish.
Right: Danielle's icon if the Holy Silence continues to develop. She
has now completed the third highlight.
red earth bole in preparation for gilding.
Above center: Later that afternoon, she has completed gilding and
has added a design in the gold leaf.
Above right: By the end of the following session, Danielle has
painted the base color or roskrish.
Right: Danielle's icon if the Holy Silence continues to develop. She
has now completed the third highlight.
Above Left: Cathleen Fortune is well advanced on her icon of
Archangel Michael.
Above Right: In her first class session, Sandra Delman transfers a
design to her board.
Archangel Michael.
Above Right: In her first class session, Sandra Delman transfers a
design to her board.
Leon Palad (in dark gray) and Kilo Munoz at
work on their icons of the archangels Gabriel
and Raphael, respectively.
This is the first icon for each of them.
They made their own wooden "bridge" type
hand-rests to protect their paint from smearing.
work on their icons of the archangels Gabriel
and Raphael, respectively.
This is the first icon for each of them.
They made their own wooden "bridge" type
hand-rests to protect their paint from smearing.
Above Left; Anne Symanovich gilds the halo for a
standing figure of Saint Francis.
Above Right; Carolyn Feuille painting Archangel
Gabriel.
standing figure of Saint Francis.
Above Right; Carolyn Feuille painting Archangel
Gabriel.
Kilo Munoz at work on his icon of
Archangel Raphael.
Archangel Raphael.
| Photos taken in the garden of St. Gregory's Church - Above,Left to Right; Randy Bowman with icon of Saint Stephen, first highlight. Cathleen Fortune with icon of Archangel Michael, almost completed. Anne Symanovich with icon of Saint Francis, first float Below left, Yoshi Mathias is beginning her second icon, Our Lady of Tikhvin Below right; Jennifer Blecha with icon of the poet Rumi, first float See bottom of Highlighting and Finishing Touches pages for a closer view of some of these icons. |
| Cathleen Fortune, Yoshi Mathias, Jennifer Blecha, and Anne Symanovich with their icons June 1, 2008 |
FINISHED!